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Faculty and Staff |
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Office Location:
YCDC 201
(813)253-7623
cacosta@hccfl.edu
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Christina Acosta received her master’s
degree from Teachers College, Columbia University and bachelor’s degrees in
both Dance Performance and Arts Administration from Brenau University. Before
teaching at HCC, Christina co-founded the dance program at Howard W. Blake High
School for the Arts where she taught all levels of Modern Dance, Choreography,
and direct the senior projects. During the four years at Blake, Christina
produced over 20 performances and taught over 300 students. Christina was
commissioned to write and implemented the Hillsborough County Honors Dance
Curriculum and established curriculum outcomes for several high school dance
courses. In 1990, Chistina lived in the Atlanta area where she trained with M.
Jean Tepsic, Diane Callahan, Patdro Harris, and Heitzo. After moving to New
York City, Christina studied with teachers among them were Merce Cunningham,
Michael Moses, Trisha Brown, Claire Porter and Douglas Dunn. She has performed
and presented her choreography at several NYC downtown dance venues. She has
taught technology workshops and modern dance master classes for the American Dance Festival, University of South Florida, and for
the Arts Council of Hillsborough County.
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Claire Andrews was born in Shoreham-by-Sea England
and grew up on the island of Bermuda. She started dancing at the age of 5
in England and continued her training in Bermuda. At sixteen she went to
Walnut Hill School of Performing Arts in Natick, Massachusetts to complete her
high school education. Upon completion, Ms Andrews attended Adelphi
University on Long Island, NY and received her BFA in Dance and continued her
education at the University of Oklahoma in Norman, OK to receive her MFA in
Ballet. Since finishing her formal education she has devoted her entire
career to teaching, choreographing and restaging ballets in Universities,
professional companies and studios. Presently, Ms. Andrews is an adjunct
faculty member at Hillsborough Community College, teaching beginning and
intermediate levels of ballet technique. She is also the Associate
Artistic Director for Brandon Ballet where she restages two full length ballets
a year and teaches the advanced technique classes in the school.
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Jack Clark is an established choreographer, teacher and
mentor to many young artists. During his tenure at FSU his mentorship of MFA
and undergraduate choreographic concerts enhance dancers’ imaginative and performative
skills. As a theatre scholar, his cross-disciplinary, collaborative work in
performance techniques explores the creative exchange between opera, theatre
and dance within cutting-edge training and performance techniques. As a
veteran choreographer, his work has appeared internationally. His lavish Flaw
in The Fabric marked his Canadian choreographic debut, his work further
showcasing at the American College Dance Festivals and for the North American
premier of John Eccles’ opera, Semelé. His commissioned work includes The
Tallahassee Ballet, Dance Force Atlanta, Florida State Opera, and Walt Disney
World’s Animal Kingdom.
Jack has danced as a company member and guest artist with
Southern Ballet Theatre, New Jersey Dance Collective, Dance Repertory Theater
at FSU, and with Nimbus Dance Theater and Battery Dance Company, NYC. His
performance repertory includes the works of dance luminaries George Balanchine,
Martha Graham, Garth Fagan, Hanya Holm, Lester Horton, Lar Lubovitch, Alwin
Nikolais, and Shapiro & Smith. In theatre, he has performed under the
direction of Regina Kapatenakis of the National Theatre of Greece and held an
internship with the multi-disciplinary physical theatre company, Theatre
Gargantua, Toronto, in developing source material for an evening length
work.
His residencies appear throughout the United States, and
Canada, such as York University and Ryerson University, Toronto, Towson
University, Ohio State University, Jacksonville University, and with EPCOT,
Orlando. He has held master classes at Canada’s National School of Ballet,
Florida Dance Festival, the International Dalcroze Conference, as well as in
various youth programs across the US, including Suzanne Farrell Workshop for
Young Dancers.
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Irene Ko was born in Seoul,
Korea, Attended the University of Minnesota where she worked with Carolyn Brown
and Susan McGuire, who inspired her to come to New York to attend The Juilliard
School. While at Juilliard, she studied with
Benjamin Harkarvy, Linda Kent, Ethel Winter, and Genia Melikova, and
also studied choreography with Anna Sokolow, Bessie Schonberg, Doris Rudko, and
Elizabeth Keen. She also attended the Merce Cunningham School, the Lar
Lubivitch Dance company, Broadway Dance Center, and the Bella Lewitzky Dance
Company as a scholarship student. After she graduated Juilliard, she went to
Korea and joined the Korea Contemporary Dance Company, performing on tour in Japan,
China, and Malaysia. She also taught at the Seoul Jazz Academy and at In Duck
University. Returning to New York, she worked with H.T Chen & Dancers,
performing, touring, teaching and choreographing for the company. Irene moved to California where she earned
MFA in dance at California Institute of the Arts. Her choreographic credits
include Back to Heaven, Misty Mirrors, Dedicated to a Crow, Blue Velvet,
Silence of Two, Okra Summer, Emotional Conflict, Day Dream. Her choreographic works have been presented at HCC, St. Petersburg College, and University of Tampa. Irene currently teaches at HCC.
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Susannah LeMarquand spent 3 years performing for Royal Caribbean Cruise
Lines and 6 years at Busch Gardens Tampa Bay. She has also staged and
choreographed shows for Norwegian and Silver Seas Cruise Lines. Susannah has
studied throughout the United States with such teachers as Frank Hatchett, Ann
Reinking, Sheila Barker and Madame Darvash. She has attended summer study
programs with Joffrey Ballet, Burklyn Ballet Theatre, Broadway Theatre Project
and recently completed a Horton Pedagogy Workshop with Ana Marie Forsythe at
Alvin Ailey Studios in New York City. Susannah earned her M.A. in Dance
Education from NYU in 2008. She is currently an adjunct professor of dance at
HCC and University of Tampa and in her spare time choreographs for special
functions at Busch Gardens.
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Office Location:
YCDC 204
(813)259-6409
rploch@hccfl.edu
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Richard Allan Ploch, Artistic
Director for Acanthus, a chamber-sized Ballet Company and Adjunct Instructor of
Dance at Hillsborough Community College in Tampa, Florida, has been teaching
ballet for over 20 years. Ploch began his career in Tucson, Arizona and went on
to Ohio State University to receive a MA in Dance specializing in Labanotation.
He includes as his mentors and principle teachers: George Zoritch, Nanette
Charisse, Peff Modelski, John Calendar, Rosalind Pierson, Sheldon Ossosky, and
Robert Yohn.
Ploch has performed with various ballet and
modern companies in New York including the Light Opera of Manhattan. He also
served as Assistant Choreographer with the Santa Fe Opera where he performed
and also choreographed for the Apprentice Artists Program. An active
choreographer, his work has been presented in the Northeast, the South and the
Southwest. Currently, he devotes most of his choreographic energies to
Acanthus.
Richard Allan Ploch maintains active memberships
in several national and international dance organizations. They include the
Society for Dance History Scholars, Dance/USA, International Council of
Kinetography Laban and the Florida Dance Association. He serves on the Board of
Directors of the National Dance Registry, the Advisory Board for Performing
Arts Resources and has just completed a second term on the Artists Advisory
Committee of the Tampa/Hillsborough Arts Council. Ploch is a founding member of
the Alliance of Dance Notation Educators, a group of dance professionals from
all forms of dance who espouse and include dance notation with dance education.
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